Adelaide Fringe Review 2017 – The Curiosity Experiment

The smell of Carclew House is all old wood and leather. Its 19th Century grandeur is a vestibule of memories imbedded in the lacquered patina, the sort of place you would expect denizens of the afterlife to dwell (and popular legend asserts this is so!). What more fitting place is there to stage The Curiosity Experiment?

No more than 13 personages are admitted per performance. When one walks into the antique lined Board Room allocated, we become conscious that this will not follow standard theatrical formula – with we, the audience, separated from events. Rather, that this will be immersive drama.

curiosity

The blindfolds on the table are amongst the first things you’ll notice. An instruction is given on how to withdraw from the performance lest your nerve not withstand the events that will unfold, with the caveat that you will not be permitted to re-enter. Be warned there will be sensory deprivation of a manner, but only to amplify the perceptions of the remaining senses in order to better facilitate your imagination, wherever that may take you.

Tapping into the tradition of post-War Spiritualist methodology, by séance & psychometry, we the participants are led into a performed purgatory of restlessness amongst auditory apparitions condemned by tragedy. How and what transpires, I am really not at liberty to say. Nor could I assert my particular experience will be in anyway analogous to yours.

It is, however, amongst the more innovative & intimate stagings I have encountered at a Fringe Festival. And a chance for a seat at the table is becoming progressively in limited supply. It’s the quick or the dead I’m afraid.

Jonathan Mar 4th 2017 04:33 pm Culture,Reviews,Theatre No Comments yet Trackback URI

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